The Words: Will It Get You Laid?
The Words. I've been staring at those two words sitting in this text document now for the last half hour and I genuinely have no words for how bad, bad, bad, this film was.
First up, a little background info … The Words is three stories intertwined told from the perspective of three writers (Jeremy Irons, Dennis Quaid, and Bradley Cooper). Quaid narrates the story of Cooper who plays struggling young author Rory Jansen caught up in mounting pressure from his family to finally "make" something of himself after his previously failed attempts at becoming a published author.
While on his honeymoon in Paris his wife purchases a briefcase as a present that unbeknownst to him holds a previously unpublished manuscript. Upon discovery he reads the story and is immediately engrossed in the tale. Cooper is then faced with the moral dilemma - does he retype it and pass it off as his own attempting to get it published? Or does he leave the story as is and continue pushing his work despite rejection letter after rejection letter.
Cooper then does the unthinkable and types out verbatim the book not changing so much as a word or comma. The book becomes an immediate best-seller and suddenly Cooper becomes a media darling touted as one of the greats of his generation.
He is then approached in a park by Irons who identifies Cooper, and then pitches him on his next book - a young writer who loses a story he wrote in post war Paris only to find out it has been published years later and passed off as someone else's. Cooper, obviously, stops dead in his tracks and hears the man's story and everything takes off from there.
I can't say too much without giving it away (and spoilers are NEVER my thing), but bottom line - this movie tries way too hard. Irons, and Barnes (young Irons) were both enchanting but there was something so vacant and unlikeable about Cooper. I can't remember ever seeing someone so "hollow" on screen. One would think considering it's a story about plagiarism that this would be an asset, but instead it made me not want to root for him. He was this vacant shell that despite his piercing blue eyes kept making me want to walk out of the theater.
Everything about this film from the overly mellow dramatic soundtrack to the golden tones of the flashback was in itself plagiarized by every other film before it. I could literally hear the director at one point go, and this is the moment where the audience goes AH-HA!!!
It attempted to be cerebral but landed somewhere along the lines of in your face and why should I even care?
Cliche at its best the film overall is at its worst. If you take your date to this film not only will she not have sex with you after seeing it, she will verbally assault you afterwards with how bad it is. (Unless verbal sadism is part of your foreplay then by all means.)
Bottom line: Do. Not. Take. Your. Date. To. See. This. Movie. If. You. Want. To. Remain. In. A. Relationship.
That is all.

My jeez, this flick sounds like a trudging, painful, tedious slog. I can't believe that a cast this killer was somehow roped into this whole dull, derivative enterprise.
I've seen the trailer quite a few times in theaters now and after the 2nd viewing, I've taken to simply ducking out for a few minutes to get a drink or use the restroom or whatnot because it really feels as if I'm being forced to sit through the entire film. I swear, those 2 1/2 minutes or so feel like the same amount of hours and it's unbearable.
What's incredible is that you can see that very same trailer more than once and still come away with absolutely no idea what the movie is really about, the characters relate or the basics of the plot mechanics - but then again, that may have just been due to the terribly uninteresting and jumbled flow of the trailer itself that effortlessly gets me all zoned out.
At any rate, a very succinct, amusing and straightforward review and thanks for confirming what that piss-poor trailer had already led me to believe about this movie.
Ohh, and Ms. Friel, please allow me to firmly assure you that were I tremendously fortunate enough to take you out on a date, I would most certainly not take you to see THE WORDS.
Was it really about getting laid?There are better ways to get that done than by watching a movie.How about the conflict of an individuals limitations and the desire to achieve more. The Goals or maybe Dreams the reasons we assign our existences. The price whether moral or maybe not that you pay,the choices right or wrong and the consequences they have on those you love and those around you.Perhaps that was what Bradley Coopers "blue eyes" wanted to show "conflict" maybe that is what he wanted to be laid.
I am so on point with view on the film and it's intent. Saw it at a screening last night and I truly enjoyed the movie. It was heart-breaking and beautiful. One of the better films I've seen this year.